The National Shrine of Our Lady of La Salette 2012 Christmas Festival of Lights Concert Series Presents Five Unforgettable Nights. In addition to a full season of concerts and special events during the annual illumination of 350,000 lights, we hope you will visit La Salette and see these artists in their first performances at La Salette.

 

teenchallenge

 

 

 

 

 

 

 

 

Teen Challenge New England Choir

Teen Challenge New England serves individuals and families by providing Christian faith-based, long term residential recovery homes for more than 400 adults & adolescents and outreach and drug prevention programs to children and youth in schools and local communities. Through Teen Challenge sons and daughters are restored and reunited with their once heartbroken families torn apart by their loved one’s past drug and alcohol addiction.
“Hope Lives Here…Freedom is Found Here…and Changed Lives Leave Here…”


www.tcnewengland.org


 

 

 

 

 

 


URI Symphony Orchestra and URI Concert Choir

Wednesday, December 12th at 7:30 PM
At La Salette Shrine Welcome Center Concert Hall
Sponsored by URI Symphony Orchestra Ann Danis, conducting; URI Concert Choir, Mark Conley, conducting.

The URI Department of Music. Vibrant. Exciting. Recognized for their dedication to excellence in performance, the quality of their curriculum, the vitality of their artistic community and their outstanding national reputation. This renowned 60 – 70 piece ensemble will perform a holiday concert featuring works themed to the season and will include a sing-along with audience participation. URI Symphony Orchestra, Ann Danis, Conductor; URI Concert Choir, Mark Conley, Conductor.

www.uri.edu/music


 

 

 

 

 

 


Boston Boy Choir – The Choristers of St. Paul’s Church Harvard Square

Thursday, December 20th at 7:30 PM at La Salette Shrine Main Church
Sponsored by Antony Canova and the Colonel Blackinton Inn, Attleboro

The renowned Catholic Choir of Boys, educated at the Boston Archdiocesan Choir School at St. Paul’s Church Harvard Square, conducted and directed by Mr. John Robinson. One of a very few traditional choirs of boys and men in the USA, focusing on the Mass: Plainsong, Polyphony, Romantic and Contemporary. The choir has toured nationally and internationally, and record for television and radio, and has collaborated with renowned ensembles such as the Boston Symphony Orchestra. The choir is accompanied by Organist Dr. Jonathan Wessler

http://www.choirofstpaul.org

 


 

 

 

 

 

 

Krisanthi Pappas and Her Band in Concert
Thursday, December 13th at 7:30 PM
At La Salette Shrine Welcome Center Concert Hall
Sponsored by Rodman Ford Sales, Inc, And GRI Stadium Gulf Foxboro

Local Jazz Award winning vocalist Krisanthi Pappas has been compared to Norah Jones and Diana Krall. A Billboard © award winning songwriter, she and her merry band will make sleigh bells swing and warm your spirits like hot chocolate… hear her music!

www.krisanthi.com

 


 

 

 

 

 

 

 

 


Ayla Brown

Only Area Performance!
Sunday, December 23th at 7:30 PM
At La Salette Shrine Welcome Center Concert Hall
Sponsored by Luciano Canova and Luciano’s Restaurant Wrentham

Ayla Brown, American Idol Semifinalist, recording artist of four albums, national and local performances, involvement in numerous charitable causes, National Anthem singer for the Philadelphia 76ers, and national news correspondent for The Early Show on CBS. The Performer. The Recording Artist. The Athlete. The Actress. The Community Figure. The Journalist. The Legend.

www.aylabrown.com

The National Shrine of Our Lady of La Salette

947 Park Street, Attleboro, Mass 02703.
(508) 222-5410
www.lasalette-shrine.org

 




 

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by Robert Gillis
(9/2012)

Horray for telephoto! Two icons: The Fenway sign and Springsteen!

A little disclaimer: When it comes to Springsteen, I am not exactly unbiased — Not at all. I love the guy and tonight’s show was my 25th or 26th of my life — certainly not up there with fans like New Jersey Governor Chris Christie who has seen the Boss 130 times, or even the nice folks I spoke with who have seen him over 70 times — but Bruce Springsteen has been my main musical choice for three decades and I am a hardcore Springsteen tramp. So if you’re looking for tight, compelling prose, an analytical and objective story, please see some of my other more serious pieces on this site — because the Springsteen shows/reviews are pure joy.

How good was the Fenway Park August 15, 2012 it? Superlatives aside, it has to rank as one of the most intense, balls to the wall, joyous, and likely BEST Springsteen shows I’ve seen. It was a religious experience. And EVERY review I’ve read says the same thing: This was one for the record books, a show Springsteen fans will list as one of their top three and anyone who attended will have bragging rights to say, “I was in Fenway on August 15!” It was THAT good.

Why? There was a lot to love — being at Fenway of course, a crowd of real fans, and a Springsteen who seemed determined to keep the mood upbeat and fun all night.

Springsteen shows often follows a show formula of: Anthem / party/ fast songs, then the pace slows down a bit, then more rock and party, slow it down, etc. Not tonight. Except for, “My City of Ruins,” and “Rocky Ground,” there was NO slowing down. The entire show was a non-stop house party. (Or a picnic, as Springsteen called it at least once.)

Song after song after song, with Springsteen bounding around like a teenager looking impossibly good and energetic at 62, for a crowd who didn’t care when it started raining, and putting on a show that again, ranks as a religious experience — especially from a performer who’s been known to make his shows out to be revivals!

Some memories in no order:

View from our seats

  • Springsteen kept talking about how good the hot dogs smelled and someone finally brought him one; he ate it and gave the “pretty good” nod, and downed an entire beer as we chanted, “Chug, chug, chug!”
  • Springsteen being very playful with the crowd, talking about how “unimpressed” he was with the cheap quality of the request signs, and then shaking his head whether to play one or not. Hilarious.
  • I toasted Dad with a beer and remembered our first (and only) game in the 1970s. Dad would have loved to come to Fenway again. I would have loved to bring him.
  • Fenway is pure magic, Red Sox win/lose stats be damned, Fenway is magic.
  • Springsteen “gets” the ghost of Fenway and why the place is sacred ground.
  • Loved the moment when a little kid did the drip the sponge water on Springsteen’s head, and the Boss carrying him back to his family.
  • No Patti tonight, she’s “on tour” with Jess. Very little focus on Soozie, surprisingly.
  • Fireworks after the show coming from the roof of the Green Monster!
  • The couple ahead of us were VERY into the show, both guys were obviously major Springsteen fans.
  • Talked to a woman who met Springsteen in 2003; she showed us the picture and said she was so happy he was nice; it would have shattered her dream otherwise! She’ll be at Gillette Saturday.
  • I remember being so happy during this show.
  • That’s the true enchantment of a Springsteen show — feeling young again, being taken away from all the problems for a raucous house party, and some freaking awesome Springsteen.
  • No song felt old or overplayed tonight. Tonight, it was all fresh and new!
  • VERY different show than what I heard and read for Tuesday (8/14) — wasn’t there for that one – every review I read, and everyone who was at Tuesday’s show, said this one was better.
  • When Sue and I made our way back to the car we were chatting with a woman parked near us who’d seen Springsteen 62 times (12 on this tour alone) and said this show ranks as one of the best she’s ever seen.
  • (EVERY review cited this as one Springsteen fans would be talking about forever and call a very favorite)
  • And this is a show I will never forget!

Michael Zorn, Backstreets.com

“Take me out to the ballgame” was the intro song as we saw video of Springsteen arriving in a black car and taking the stage. He talked to the crowd before the show began, saying that as we get older we have more ghosts — not the scary kind, but those that live in our memory, this one played here, this man stood here (Danny and Clarence) and Fenway ghosts — the pole there (Johnny Pesky) and all those who played in this park.

I feel what he said exactly captured the spirit of Fenway. And I think he’s coming out of his grieving for Clarence, as tonight was more of an Irish wake than a memorial.

By opening with “Thunder Road,” (Just Springsteen and Roy on the keyboards) we knew we were in for a FAN show! Reminded me of the “LIVE” CD (1975-1985), and Springsteen said Fenway is like a big picnic.

There was indeed a definite “Summer Night Picnic” vibe with Hungry Heart / Sherry Darling / Summertime Blues / and Girls in Their Summer Clothes. Springsteen’s vocals are better on “Summer Clothes” than previously; as I recall he had trouble with this one live in Jersey a few years back.

“We Take Care of Our Own” has got to be one of the best Springsteen songs ever. It’s a true anthem. LOVE it.

“Two Hearts” — Always fun. He covered several from the River tonight.

“Wrecking Ball” — I love, love, the NY “Giants” reference in the song and the good-natured booing. Springsteen just smiles and says, “Sorry about that!” And Soozie’s violin really makes this song. Another new song I REALLY like.

“Death to My Hometown” — Powerful! Love the Irish music in the WB material.

“My City of Ruins” — Springsteen noted they were the first musical act to play Fenway Park (Yep, I was there in 2003!) and said he was honored to be back for the 100th anniversary. “What makes this place so beautiful is the ghosts that haunt it.” Springsteen introduces the band, and says he wants a hot dog and a beer!

I felt real emotion from the “Rise up / with these hands/ I pray Lord” lyrics here, and was touched with the, “Are we missing anybody” part when Springsteen asked for a light on the Johnny Pesky pole (the Sox player passed away this week) and the wreath around him number. Crowd went crazy. (Also noted after the show: On the “Teammates” statue outside the park are flowers, Johnny Pesky is one of the players in that statue).

Sign collection starts, Springsteen is disappointed by the “cheapness of some of the signs” Hilarious! “That’s a good one… That’s a hard one…”

A.M. Saddler, Backstreets.com

“Knock on Wood” — Springsteen said he wasn’t sure they’d ever played this; it was very well done. I said to Sue that eight thousand Springsteen fans were researching that fact and sure enough we found he HAD played it once before, in 1976 in Memphis, the same night Springsteen jumped the fence at Graceland to try to meet Elvis Presley.

“Does This Bus Stop at 82nd Street?” — And I’m off to get a pretzel that was pretty stale.

“Thundercrack” – A good intro as Springsteen talked about opening for Anne Murray, Chicago, the Eagles, Sha Na Na, and how no one knew who they (the E Street Band) were so they needed a distinctive sounds, and this song was one of their first show stoppers. I believe I’ve read that when Anne Murray took the stage, the audience was screaming for Springsteen to come back?

“Frankie” — Sue likes the songs she knows so wasn’t familiar with this one; Frankie is not a song you hear often and I love it. Loved how talked about writing this song and seeing fireflies in his yard, and everyone opened their cell phone and filled the park with “fireflies.” A beautiful image but just not the same as thousands of lighters!

“Prove It All Night (’78 intro)” Springsteen Holy shit! The LONG 1978 intro was just amazing — never seen this version live. Scorching. We’re already thinking, this is a show for the record books.

“Darkness on the Edge of Town” — and I am LOVING it. AWESOME

“Working on the Highway” — Fun summer song! Like I’ve said, sort of a throwaway on BITUSA but so much fun live.

“Shackled and Drawn” — And the rain starts a little and then picks up but it’s OK. Great song about what’s going on in America now and I like the addition of Cindy at that end with Springsteen at the mike, “Singing this song, singing this song…” When the rain began it felt good, and even Springsteen mentioned it felt good and noted the nice breeze. Looking directly up into the rain, it was coming down like snow — it made the experience magical and surreal, seeing what looked like a snowstorm by the Fenway Park sign.

C.P., Backstreets.com

“Waiting’ on a Sunny Day” — I don’t care what some fans say, I LOVE this song and it’s the family fun song of the new Springsteen shows. LOTs of young kids and teens in the audience; Sue mentioned how happy it makes her that today’s kids are into Springsteen! And Springsteen notices the rain is picking up and says, “Whoa, we better start singing!”

“Backstreets (with Dream Baby Dream interlude)” — Backstreets is just another haunting Springsteen classic that I adore, and the “Dream Baby Dream” riff was perfect. Here’s one that isn’t heard enough! A BTR classic!

“Badlands” — There are nights I say, “Again???”But not tonight; he rocked it and I loved it; crowd seemed to agree.

“Land of Hope and Dreams” — just amazing. This song debuted live during the reunion tour of 99 (I believe) and the studio version on WB just doesn’t hold up to the song live. AWESOME.

“Who’ll Stop the Rain”(acoustic) — good choice for the weather! The rain actually added to the magic at this point.

“Rocky Ground” — Dedicated to the Greater Boston Food Bank. Michelle does a nice job on this one but it’s just not a favorite from WB for me. And I’m not a fan of the rap here. I know that Springsteen is reaching to different audiences but for me, it’s just not “Springsteen;” I’m sure many folks don’t agree with me and that’s okay.

“Born to Run” — YEAH! House lights up and everyone wild!

“Detroit Medley” — Have not heard this live in a while (maybe since the TOL tour?), so much fun and cemented the party vibe! I love the “Devil with the Blue Dress” part.

Michael Zorn, Backstreets.com

“Dancing in the Dark” — Was it almost thirty years since Springsteen pulled a (then unknown) Courtney Cox onto the stage in the video? Dancing in the Dark is a hit or miss at the shows, tonight, monster hit. Springsteen dancing with a beautiful babe (later find out she’s a cop!)

“Quarter to Three” — I know Springsteen used to play this one a lot decades ago; don’t know it at all. Shame on me!

“Tenth Avenue Freeze-out” — The Clarence tribute is so touching, the video montage is powerful. “Tenth” is the story of Scooter and the Big Man, the story of the band, and there could be no greater tribute than this song, the applause after “They made that uptown / and the Big Man joined the band” where Clarence was always introduced. RIP Big Man — we miss you! And I should note: Jake has more than proven his mettle as Clarence’s successor; he does his uncle proud and the crowds love him. The future is in good hands.

“American Land (with Ken Casey)” — “Boston!” Springsteen was shouting, “That rain feels good! You ain’t gonna let a little rain bother you, are you? I think we’ve got one more for you before we go home!” American Land might seem almost cliché but the Dropkick Murphy’s singer was so into the song and just added to the awesomeness! Springsteen and Murphy’s exaggerated Irish brogues added to the immigrant theme and joy of the song while not diluting its message. And I LOVE the song; a nice change from the expected, “Dirty Water” and much more within the “Wrecking Ball” and “Magic” themes.

And right after the show, from atop the green monster, fireworks (well, small ones!) Don’t know if that was a Springsteen idea or a Fenway anniversary thing, but nice!

As reviewed on Backstreets.com, “A monster of a show,” and as a hardcore Springsteen fan, I’m so happy I can say, “Fenway August 15? Oh, yeah, I was there!” Awesome!  Thank you Bruce and the incredible E Street Band for one we will ALWAYS remember!

 

C.P., Backstreets.com

 

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22. June 2011 · Write a comment · Categories: Music

By Robert Gillis
Pubished in the Foxboro Reporter 6/2011 and the Boston City Paper, 4/2011

A detailed discussion of a music video is not typical fodder for my columns, but my recent discovery of the video for “Firework” by pop superstar Katy Perry resonated so much with me that I had to share.

And let’s be clear from the top — I’m serious about this one. This isn’t a setup for a joke.

I like Katy Perry; I like most of the current pop music. And her video for her song “Firework” — the massively popular, 2x platinum, number one single from her “Teenage Dream” CD…

Well, it blew me away when I saw it today.

The song’s lyrics are very uplifting, inspiring, an empowering anthem (with a great beat you can dance to) advising the listeners that we all have value, that we are all special, and no matter how badly we’re feeling about ourselves, for whatever reason, there is hope, it does get better, and we all have that explosive, beautiful spark inside us waiting to burst free.

The video opens with Perry watching over a city (filmed in beautiful sections of Budapest). As she is singing, we see the characters, and they are instantly familiar.

Two children, a brother and sister, cowering as their parents fight, the younger sibling covering her ears as her brother looks on helplessly. A gay teen, extremely shy, watching other kids dance happily and interact so easily — watching his dream guy from across a crowded dance floor, too crippled with shyness to approach him. A bald, eleven year old girl, a cancer patient, too afraid to leave her room and be around other people. Another girl, overweight, so self-conscious about it that she declines her friends’ invitation to join them in the swimming pool. Another teen, a street magician, terrorized by thugs.

Each kid is suffering; each kid is in pain. Each one feels worthless. Each one feels there is no hope.

Then, as Perry sings into the night, fireworks shoot from her heart. (Yeah, yeah, insert your joke about the sparks coming from her magnificent bosom here).

But as the fireworks light up the sky and the joyous anthem continues, things start to happen.. The light bursts from the kids as well. Their inner spark is ignited, that light inside them finally free, and they become empowered — overcoming their fears and insecurities, surrounded by an aura of brilliant pyrotechnics.

“You don’t have to feel like a waste of space / you’re original, cannot be replaced / if you only knew what the future holds / after a hurricane comes a rainbow”

The overweight girl strips to her swimsuit and leaps into the pool as her friends smile happily; she emerges joyous, almost newly baptized, sparkling. She did it! The cancer patient witnesses a woman giving birth in the hospital as fireworks surround her — and sees the power of new life. She tentatively steps outside, the light bursting from her and giving her courage to join the increasing swell of teens dancing and running in the streets.

The bullied teen fends off his attackers and impresses them with skillful magic tricks as he too emits dazzling light — his own inner light. The gay teen finds courage he never knew he had — he purposefully approaches his crush at the bar and kisses him tenderly as the room fills with fireworks. The young boy, protecting his sister from his parent’s argument, has had enough and sparkles as he rushes to his parents and physically separates them, stopping the fight.

As the song builds to its climax, over 200 kids are running in the streets, dancing and joyously celebrating as they join in a courtyard in this beautiful city. Fireworks burst from them, their inner light exploding from their chests, unable to be contained any more.

Now, to be fair… YES, it’s a fantasy music video and it would be so easy to dismiss all of this as pop fluff — Katy Perry sprinkling magic fairy dust and magically transforming people. And Katy Perry isn’t known for being a motivational speaker, obviously.

One review even snarked, “So Katy Perry is curing cancer?”

No — That isn’t what’s happening here — it’s about perspective, seeing things in a better way, finding the beauty (the light) inside each of us, despite what we’re feeling, what shape we’re in, or what sickness we’re fighting.

No one in the video changes physically, no one is magically cured of cancer. The video is about accepting yourself as you are, and that the light inside you is more powerful than you can imagine — that your greatness will not be contained. The obstacles can be overcome once the light shines upon them. The light inside can quite literally obliterate the darkness in our hearts and empower us, inspire us, and fill us with joy, no matter what our feelings, what our situation.

That, my friends, is a hell of a powerful message, especially when you consider the audience toward whom it is directed: Teens.

And it gets better, literally: Katy Perry dedicated the “Firework” video to the “It Gets Better” campaign, (click here for more info) which rallies against harassment in the LGBT community, an incredibly relevant action in light of the recent, tragic suicides by gay teens.

Most every teen, at one or more times in his or her lives, feels at the edge of the abyss, so very different than everyone else, so powerless, so completely alone. Surrounded by darkness.

We’ve ALL felt that way.

And Perry sings…

“Like a lightning bolt, your heart will glow / And when it’s time, you’ll know / You just gotta ignite, the light, and let it shine / ‘Cause baby you’re a firework / Come on, show ‘em what you’re worth!”

…as the fireworks shoot from the heart of each teen into the sky, higher and higher, a crescendo of joy, of greatness, of self-acceptance, of empowerment. A light too bright to be contained.

What a perfect message, not just to teens but all of us. In these troubled times, when so many feel so alone and different… What a welcome, empowering message.

And what’s brilliant — the message is contained in a media directed at teens — a music video.

It’s rare to find such an uplifting, positive and effective message directed at teens today. To find it in a music video, by Katy Perry is, to say the least, a very pleasant surprise that resonated with me.

Kudos to Katy Perry and everyone involved for this one — because kids, it DOES get better. That light IS inside all of us. You’ll find it.

To each person reading this, may you find that light inside yourself this spring.


 

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by Robert Gillis, published in the Boston City Paper 2/2010

[Full disclosure: This is not a paid review, I just thought it would be nice to write a review about the extraordinary performance of RENT, playing here in Foxboro at the Orpheum Foxboro -- no one asked me to do this.]

During the “Halloween Song” of the stage production of the play, “RENT,” one of the characters wonders, “How could a night so frozen be so scalding hot?” The question was perfectly timed last Friday night: Outside, the arctic tundra of a Massachusetts January evening had frozen everything solid, yet inside the Orpheum Foxboro; a scalding, scorching presentation of RENT was being enjoyed by an enraptured audience.

Bay Colony Productions continues to present professional quality stage plays, musical theatre, dance, musical events, youth theater programs, charity events and concerts, movies and family entertainment (and a wonderful Haunted House in October).

The performance of RENT I saw with a packed house at the Orpheum on opening night quite literally blew me away. Holy smokes, stage productions in New York don’t have the quality and energy we witnessed Friday.

Having no previous knowledge of the RENT storyline besides a cursory glace on the internet, I let the story unfold naturally, I was hooked from the first note, as the 17 cast members performed what appeared to be a flawless execution of the play. No missed cues, no flubbed lines, no opening night missteps.

The paradox of this play — at least to me — is that the songs, choreography, costumes and cast interaction is so good that sometimes one forgets the very real issues they are singing about.

The performance became so very, very real that I felt like an intruder, a voyeur watching people’s personal lives unfold as they dealt with life and death issues of AIDS, alongside complex questions of relationships, sexual identity, loss of dignity, emotional baggage, what to do with your life, drug addition, homelessness, toxic relationships, illness, poverty, living for today, making a difference before you die, and of course, how to pay (or not pay) the rent. Although the play takes place almost 25 years ago, its themes are just as relevant today — we still don’t have a cure for AIDS, and gay and bisexual concerns and rights are even more relevant in 2010.

Straight, gay, bi or somewhere in between, everyone deserves to love and be loved, and everyone deserves the same rights. This play illustrates this effectively and beautifully, but never in your face — the story unfolds naturally; the underlying themes are there — obvious but never never expositional. It all feels very real.

I just cannot say enough good things about this performance. The actors were uniformly excellent. The singing and dancing — whether to happiness, confusion or crisis — was a natural extension of the action and never felt forced. There was very real sensuality and sexual chemistry between the different lovers. The words and actions are risque and mature without becoming lewd or crass.

In short, what I saw felt real. Even though 99% of the play is sung, it was easy to forget I was watching a play — the acting was that good.

No one is miscast. Kevin Hanley (Roger), who seemed to have a James Dean vibe going on, grabbed the audience from the first note and his powerhouse voice never let us go. Albert Jennings (the cross-dressing Angel and easily the most beloved character) was hilarious and sexy but somehow innocent and silly. Chauncey Moore played Benny the landlord with just the right amount of New York City hot-shot arrogance and smoothness. Eric Desnoyer (Mark) provides needed exposition via his omnipresent camera. His role is an interesting one, in that Mark’s role is written as an observer, living vicariously through his camera and the other’s lives. Later in the play when you find out just how alone Mark really is, Desnoyer really shines and conveys Mark’s loneliness. And Tom (Michael Dimascolo) seemed to steal many of the scenes he was in. His acting was particularly powerful; his body actions did an excellent job conveying his poverty and dissatisfaction with his life. His scenes with his lover Angel were uniformly perfect. You believe these two actors are a loving couple. And the wordless way Tom held Angel [Spoiler alert] as Angel died made me cry.

As Mimi, Jess Andra had me with the flirty, poignant, “Will you light my candle?” She was wonderful. I loved her performance and I think she made the biggest impression on many in the audience. Her character says she’s 19, but her hooker-like apparel and drug use make her so much older, and yet she’s still a child inside.

Shayna Ross as Maureen is the enigma wrapped in a riddle surrounded by a puzzle and she has a LOT to stay. Certainly many of the most entertaining moments were from her “one woman show.” And Joanne (Leeta White) was also exceptionally good, especially in her scenes with her lover Maureen as the two played off their love/hate relationship. Her voice was powerful.

(I should note that when I saw the play a second time on March 6, Liz Harmon, who looks a bit like Jennifer Love Hewitt, played the role of Maureen with equal parts intensity, sensuality, passion and crazy. She was incredible.)

The ensemble supporting cast added much to the show and made it seem larger than it was. Whether they simply sat quietly, sulked, or observed the action, or participated in song, they added the needed population to make this “New York” seem real.

I loved the set — an elegant combination of old furniture, chain link fences, doors, scaffolding, graffiti, boarded up doors, signs, old tires and perfect lighting.

Dori Bryan, the Director/Choreographer for RENT, Steve Dooner (Assistant Director), Esther Zabinski (Musical Direction) and Bill Cunningham (Producer) have created a TRIUMPH. THANK YOU! On the scale of one to ten, can I give the show and “11?” And while the behind the scenes credits would be quite lengthy, I must again compliment Bill Cunningham, whose management of the Orpheum benefits Foxboro in so many ways, and to costume designer Daniel Kozar (the costumes were spot-on) and to Michael Teixeira, Ed DiMarzio, Gail Gilman and everyone else at the Orpheum who worked countless hours, often behind the scenes, on these labors of love, performing not only their own multiple job descriptions but doing what else is needed as well.

The show was sponsored by AIDS Care Ocean State, who presented a short film showing the good work they do helping people with, and those affected by, AIDS.

Friends, I’m not a regular theater goer and certainly not a comprehensive reviewer and my complete knowledge of the nuance of RENT comes from one viewing last Friday — but I know what I like, what I love and what blows me away. I recognize quality when I see it. This was textbook QUALITY theater.

RENT at the Orpheum Foxboro surprised me a dozen different ways last Friday night and the standing ovations at both the intermission and finale would seem to indicate everyone else felt the same way, this play is a triumph.

Everyone involved have literary knocked this out of the park.

RENT is for mature audiences, but despite the themes of AIDS, death, confusion and generally sadness, there is also true joyousness, genuine love, and new life discoveries throughout the performance.

There is “No day but today,” the cast sings during RENT. “There’s only us, there’s only this, forget regret, or life is yours to miss, no other road, no other way, no day but today.”

That’s good advice. Take today and go see RENT at the Orpheum. www.Orpheum.org. Through February 7, with encore presentations March 5, 6, and 7.

(All photos in this post courtesy of Bill Cunningham and copyright Bill Cunningham and Bay Colony productions)

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by Robert Gillis

FINAL UPDATE 1/22/2010:As completed as possible!

Download the set list (updated 2/18/2010) as an Excel Spreadsheet HERE or as a web page HERE

Since the early 1990s, Boston radio station Magic 106.7 (home of the famous David Allan Boucher “BEDTIME MAGIC” show) has played a beautiful 18 hour selection of traditional Christmas carols beginning at 6pm Christmas Eve. For the most part, the set list has been pretty much the same, with a few tweaks.

Years ago, just for fun, I realized I wanted to know the set list so I could start collecting the CDs of this beautiful music.

I called the station but they didn’t have a set list, and while the DJs were happy to list a few songs I couldn’t very well ask for a verbal list of 18 hours of music.

So over time and Christmases I started making a list of each hour and every song I could identify by name and artist. Since the majority were instrumental, and some I’d never heard of (“Sheep may safely graze?”) This took longer than expected. But it became sort of a fun hobby / challenge.

I called the lovely Candy O’Terry, Assistant Program Director at Magic, and she listed a few songs for me, and I am indebted to Music Director Mark Laurence who answered several emails with names and artists, totaling a dozen or so.

And I am very grateful to the Magic 106.7 “Overnight Guy,” as he called himself, who told me he works Christmas Eve each year so other Magic employees can spend the time with their families. In 2008 he also told me the names and artists for another small bunch of songs.

With the clues I had, I realized I’d never heard of some of these artists, like Esteban, or Dino, or the Stylistics. But then I realized that many of the artists were under the “Narada” and “Windham Hill” family of musicians. I had my leads!

So, I guess I’ve been slightly obsessed, buying LOTS of Christmas Carol CDs, but I have (almost) the complete companion to the set list from “Magic of Christmas” and a wonderful new collection of beautiful Christmas CDs.

I know there are many people in Boston and the surrounding area who love the “Magic of Christmas” show; you can CLICK HERE for my excel spreadsheet for the set list, which features each hour’s song list and the artist (and album title if I could find it).  Spreadsheet updated February 18, 2010.

I encourage you to check out some of these artists for some truly beautiful Christmas music, and of course, listen to Magic!

If you get a moment, call the station at 617-931-1067 and tell the folks at Magic how much you enjoy the Magic of Christmas.

And thank you to Magic 106.7 for a great station and a wonderful Christmas tradition, and for introducing me to such a variety of beautiful Christmas music.


UPDATE January 22, 2010: Despite my best efforts and research, there were 41 artists I could not identify, and this project was shelved for a year… On a whim (read: I decided to beg) I sent the list to Magic, and Candy O’Terry offered to ask an intern, Anthony, to review my list and fill in the gaps. He wasn’t able to find all of them — after all, this collection was assembled nearly 20 years ago) so there are still some 15 “unknowns,” but Anthony’s “audit” was far more than I could have hoped for.

Now, working at a radio station is more than a full time job so for anyone to offer to do this is extraordinarily kind. I am overwhelmed by the generosity and so very grateful to Anthony, to Candy O’Terry, and Mark Laurence, and Magic 106.7′s Program Director/VP Programming Don Kelley.

Completion of this list may seem like a small (read: silly) thing, but this quest has become something of an obsession — I am VERY grateful to Candy for taking the time to help me (almost) complete this list! To everyone at Magic 106.7, especially Candy and Anthony — you guys ROCK! Well, “Continuous Soft Rock,” according to the promos :)

With all these new hints and information, I re-audited the CDs I have, and God bless Amazon.com’s feature that allows you to listen to a snippet of a song — that gave me a few more. So after even more work and the serious realization I need a life, I have completed this as much as possible and it is time to close this project. But if anyone out there knows any of the “ARTIST UNKNOWNS,” please let me know, obsessions don’t go away!

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